Who Is Kehinde Wiley?

About a week ago, I discovered an amazing artist who I had never heard of, despite the past few months of vigorous art blog and e-zine browsing.

There was a segment in one of my favorite fantasy shows, The Secret Lives of The Super Rich, that covered the growing popularity of Art Basel among the art-loving 2 percent.  The segment followed an older couple who, among a select group of other wealthy collectors, enjoyed a “first dibs” browse of the works on display.  I found it quite funny that the narrator of the show mentioned that there seemed to be.. ” alot of really expensive stuff that shouldn’t be called art”.  This couple, however, was looking for real art.  Something new and exciting to add to their current multi-million dollar collection.  From what I observed, they bought at least 5 different works of “art”.  By the end of the spree(which lasted about an hour), the couple was reported to have spent around $300,000!

One of the works that they purchased was a kind of second-chance offering for another painting that had already been sold.  In fact, the curator literally pulled it from a nearby closet.  It was an original oil painting by renowned artist Kehinde Wiley.  A beautiful 96″ x 72″ canvas from his An Economy of Grace series.  Although both paintings were shown for only a few moments, I could tell that it had been painted by an artist of considerable talent.  The buyers were familiar with the artist and did not blink at the $125,000 asking price!

PRINCESS VICTOIRE OF SAXE-COBURG-GOTHA, 2012

A few days after recording that episode, I went back to my DVR to review the segment again.  I pressed replay several times so I could catch the name of the artist.   After 5 or 6 replays, I kept hearing “Candy Wiley”.  I knew that first name couldn’t be right, but I searched it in Google anyway.  Maybe enough people had misheard the name as I did.  Of course, Google made the connection(and the correction) and offered the artist’s name and website within the results.  Wow!  I must admit that I have not seen or heard of such a celebrated African-American painter since Jean-Michel Basquiat.  I’m sure that statement has been made many times over during Mr. Wiley’s rise to prominence, despite that fact that their painting styles are completely different.

I guess what surprised me the most about my discovery of Kehinde Wiley is that without having any prior knowledge of the artist, I developed an opinion – even a mental image of who I thought the artist might be.  Based on a few glimpses of his work, I was thoroughly impressed.  It was apparent that the subject in all of the paintings was a brown-skinned male or female – painted with the skill of a renaissance master.  I am ashamed to admit that I did not expect the artist to be African-American.  I questioned why a (white)artist would focus solely on black/brown subjects.  I doubted, momentarily,  that a black artist could be a modern master.  I was pleasantly surprised(and humbled) to learn otherwise.

Related Links:

Artsy’s Kehinde Wiley Page

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From The Unknown

When I have the rare moment to research artistic inspiration from around the world, I do so objectively.  I cannot say that I have an absolute favorite artist any more than I have a favorite genre, period or subject.  Regardless, I am attracted to the work itself and how it moves me.

I will occasionally use the in-site filters to sift the results down to a selection that is most relateable to me.  Meaning,  the artist or the work resembles myself and the work that I like to create.  On my favorite sites such as Artsy.com or Saatchi.com, I usually only filter by Region(United States), Style(Abstract/Contemporary), and Size(Large).  I browse the works of the emerging artists and well-established artists.  Sometimes, I can’t tell the difference regardless of the press(or prices).  I simply look for pieces that catch my eye.  Pieces that furrow my brow and perplex me.  During my searches, I am also placing myself somewhere in the mix.  Constantly questioning what kind of impression my work would have on the casual art browser or (even better)the avid art collector.  I suppose that I am both building my own wishlist as well as envisioning my own success as an international artist.

I am far from obtaining either at the moment.  Yet, I continue to search for exquisite pieces to add to my expanding virtual art collection.  I live vicariously through artists who are making a name for themselves. Some seem to have been randomly-yet-lovingly, plucked from the global pool of the unknown and ushered into museums and galleries to be offered huge commissions and command 5 and 6-figures for their paintings.  Others, display such talent and mastery in their work, that there is no question as to why they should be celebrated.  I would gladly walk either one of those roads to success.